In addition to extensive CPU and GPU optimizations, you also get better threading and GPU pipelining, lower latency, much faster UI refresh rates, support for Apple Metal, and much more.
DaVinci Resolve Studio is also the only solution designed for multiple user collaboration so editors, assistants, colorists, VFX artists, and sound designers can all work live on the same project at the same time! Whether you’re an individual artist or part of a large collaborative staff team, it’s easy to see why DaVinci Resolve is the standard for high-end post-production and finishing on more Hollywood feature films, television shows, and commercials than any other software.ĭaVinci Resolve Studio features a new high-performance playback engine that’s up to 10 times faster than before. You can instantly shift between editing, color, effects, and audio with a single click.
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Jamie walks us through how to set this up as well.įor me, DNxHR LB is plenty for my needs as a source to render from, especially when most of my footage is your basic 8-Bit AVCHD or H264 from a DSLR or mirrorless camera.The Blackmagic Design DaVinci Resolve 18 Studio (USB Dongle) is now the world’s only all-in-one solution that combines professional HD, 2K, 4K, 8K editing, color correction, visual effects, and audio post-production in one software application. If they’re already pre-rendered, and saved in a codec like ProRes (for Mac) or Avid DNx (for Windows), then you might as well use those as sources for your final output rather than having to render them over from scratch. The render cache is the previews Resolve makes along the way in the background while you’re editing, for things like transitions and Fusion effects.
You can see there’s another option there, too, to “Use render cached images”. You do still have to initially wait for the optimised media to be created, but when you do, it’ll more than earn that time back during the editing process. But after that, it’s just a case of checking a box in your render export settings. There are a few things you need to do in advance to set up and create your optimised media properly, and Jamie walks us through how to do that in the video.
It’s a bit like proxy editing, but without the hassle of actual proxy editing and having to render separate files, and then swap them out for the real ones before you render.īut depending on the codec you choose to use for your optimised media settings, you might be able to get away with rendering straight from those optimised files, rather than the original source – especially if you’re using high-quality codecs for that optimised media and your final destination is something like YouTube. It’s extremely useful when dealing with certain codecs that always seem to play choppy, no matter how good your system, or when doing multicam. It essentially allows you to convert your footage to something more suitable to your system’s specs for more efficient editing. One of Resolve’s coolest features is called “Optimized Media”.
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